andreirobu:

Designersgotoheaven.com - Love by Tomasz Majewski.

(via made-to-mention)

fujifilmninja:

My friends apartment.-2014
fujifilmninja:

My friends apartment.-2014

spokeart:

Join us next month at the New York Comic Con where the Spoke Art booth will feature some amazing new limited edition prints including this one by Erik Jones.

Erik will be on hand to sign these prints and meet fans, stay tuned! If you would like to learn more about this artist or would like to inquire on available works, please email our sister gallery, HashimotoContemporary(at)gmail

nevver:

Suspended, Chloe Early
nevver:

Suspended, Chloe Early
nevver:

Suspended, Chloe Early

eatsleepdraw:

w.i.p

70x100cm colored pencils on bristol

saatchiart:

Lim Cheol Hee South Korea
saatchiart:

Lim Cheol Hee South Korea
saatchiart:

Lim Cheol Hee South Korea
saatchiart:

Lim Cheol Hee South Korea
hifructosemag:

There seems to be a history running through Carmel Seymour’s water colors, but it’s hard to pin down. Somewhere in the hazy but sublime gap between art and illustration, the paintings suspend an alternate reality in the canvas’ mid-air, depicting some hyperreal folklore in a wash of negative space. Seymour’s conceit seems simple enough: she places contemporary figures, such as girls in jeans and sneakers, in some private oasis, perhaps the figures’ dream landscape or perhaps some alien planet. But the landscapes where her figures exist are not so much ‘scapes as objects; entities without a before or after. Her water colors are deployed in highly restrained and linear strokes to focus on details, and then exploded to disrupt the hyperrealism and maximize the medium’s atmospheric emphasis. The paintings have no clear beginning or end, but beg the question: what’s the story here?
See more on Hi-Fructose.
hifructosemag:

There seems to be a history running through Carmel Seymour’s water colors, but it’s hard to pin down. Somewhere in the hazy but sublime gap between art and illustration, the paintings suspend an alternate reality in the canvas’ mid-air, depicting some hyperreal folklore in a wash of negative space. Seymour’s conceit seems simple enough: she places contemporary figures, such as girls in jeans and sneakers, in some private oasis, perhaps the figures’ dream landscape or perhaps some alien planet. But the landscapes where her figures exist are not so much ‘scapes as objects; entities without a before or after. Her water colors are deployed in highly restrained and linear strokes to focus on details, and then exploded to disrupt the hyperrealism and maximize the medium’s atmospheric emphasis. The paintings have no clear beginning or end, but beg the question: what’s the story here?
See more on Hi-Fructose.
hifructosemag:

There seems to be a history running through Carmel Seymour’s water colors, but it’s hard to pin down. Somewhere in the hazy but sublime gap between art and illustration, the paintings suspend an alternate reality in the canvas’ mid-air, depicting some hyperreal folklore in a wash of negative space. Seymour’s conceit seems simple enough: she places contemporary figures, such as girls in jeans and sneakers, in some private oasis, perhaps the figures’ dream landscape or perhaps some alien planet. But the landscapes where her figures exist are not so much ‘scapes as objects; entities without a before or after. Her water colors are deployed in highly restrained and linear strokes to focus on details, and then exploded to disrupt the hyperrealism and maximize the medium’s atmospheric emphasis. The paintings have no clear beginning or end, but beg the question: what’s the story here?
See more on Hi-Fructose.

hifructosemag:

There seems to be a history running through Carmel Seymour’s water colors, but it’s hard to pin down. Somewhere in the hazy but sublime gap between art and illustration, the paintings suspend an alternate reality in the canvas’ mid-air, depicting some hyperreal folklore in a wash of negative space. Seymour’s conceit seems simple enough: she places contemporary figures, such as girls in jeans and sneakers, in some private oasis, perhaps the figures’ dream landscape or perhaps some alien planet. But the landscapes where her figures exist are not so much ‘scapes as objects; entities without a before or after. Her water colors are deployed in highly restrained and linear strokes to focus on details, and then exploded to disrupt the hyperrealism and maximize the medium’s atmospheric emphasis. The paintings have no clear beginning or end, but beg the question: what’s the story here?

See more on Hi-Fructose.

exhibition-ism:

Maude White's incredibly detailed and fragile paper cut works 
exhibition-ism:

Maude White's incredibly detailed and fragile paper cut works 
exhibition-ism:

Maude White's incredibly detailed and fragile paper cut works 
exhibition-ism:

Maude White's incredibly detailed and fragile paper cut works 
exhibition-ism:

Maude White's incredibly detailed and fragile paper cut works 
exhibition-ism:

Maude White's incredibly detailed and fragile paper cut works 
exhibition-ism:

Maude White's incredibly detailed and fragile paper cut works 
exhibition-ism:

Maude White's incredibly detailed and fragile paper cut works 

exhibition-ism:

Maude White's incredibly detailed and fragile paper cut works 

exhibition-ism:

Seriously swooning over the black and white paintings from Rebecca Adams 
exhibition-ism:

Seriously swooning over the black and white paintings from Rebecca Adams 
exhibition-ism:

Seriously swooning over the black and white paintings from Rebecca Adams 
exhibition-ism:

Seriously swooning over the black and white paintings from Rebecca Adams 
exhibition-ism:

Seriously swooning over the black and white paintings from Rebecca Adams 
exhibition-ism:

Seriously swooning over the black and white paintings from Rebecca Adams 
exhibition-ism:

Seriously swooning over the black and white paintings from Rebecca Adams 
exhibition-ism:

Seriously swooning over the black and white paintings from Rebecca Adams 

exhibition-ism:

Seriously swooning over the black and white paintings from Rebecca Adams 

eatsleepdraw:

Author: Nunzio Paci
Title: The wind that sculpts your veins (Detail)
Dim: cm 100x100
Tecnique: pencil and oil on canvas
Year: 2014

Tumblr Blog: http://nunziopaci.tumblr.com/
Website: http://www.nunziopaci.it


lacarpa:

Alex Garant
lacarpa:

Alex Garant
lacarpa:

Alex Garant
lacarpa:

Alex Garant
lacarpa:

Alex Garant
lacarpa:

Alex Garant
lacarpa:

Alex Garant
lacarpa:

Alex Garant